It's for you Conceptual Art and the Telephone2011
“It’s for you,” Conceptual Art and the Telephone
Click on images for larger version ... © Christian Marclay © Adam McEwen © Lukas Geronimas |
“It’s for you,” Conceptual Art and the TelephoneFebruary 24 - March 25, 2011 RECEPTION: Thursday, March 3 from 5 - 8 p.m. This exhibition is supported in part by the Connecticut Commission on Culture and Tourism, which receives support from the National Endowment for the Arts, the Werth Famiy Foundation, and Bob Schneider of Jimmy's Apparel. Artists Include: John Cage, T Foley, Lukas Geronimas, Peter Greenaway, Jonn Herschend, Jeremy LeClair, Christian Marclay, Adam McEwen, Max Neuhaus, Yoko Ono, Robert Peters, Pietro Pellini, Rachel Perry Welty, and Hannah Wilke. Inspired by the Housatonic Museum of Art’s (HMA) most immediate audience, our students at Housatonic Community College, the HMA has curated “It’s for you,” Conceptual Art and the Telephone. The exhibition is, in part, a response to the wide-ranging use of phones in the hallways and other areas on campus. Each day students text, talk, surf the net, and listen to music on their phones. With this exhibition, artworks that use the phone as an artistic medium or mediator are brought together in an original exhibition curated by Terri C. Smith. The projects range from the late 1960s to today and include sound pieces, videos, and objects that resonate with the functions, technologies, and physicality of the telephone. Artists in the exhibition include: T. Foley, Lukas Geronimas, Jeremy LeClair, Christian Marclay, Yoko Ono, Rachel Perry Welty, Robert Peters, Pietro Pellini, and Hannah Wilke. Many of the artists in “It’s for you” aim to democratize the artist/audience relationship, a quality that is intricately woven into the history of conceptual art. In “It’s for you” Yoko Ono might call the gallery as part of her Telephone Piece, providing direct contact between artist and “viewer.” Students will work with T Foley, creating their own ring tones as part of her Locally Toned project. Archival materials are also included as a way to represent ephemeral works from the past as with Robert Peters’ Naming Others: Manufacturing Yourself (1993) where the artist asked people to call an 800 number from pay phones and choose which stereotyping phrase described them best. “It’s for You” harnesses the familiarity of the telephone as a way of introducing audiences to a variety of conceptual art practices, which often include a mix of art theory and social critique. The exhibition, consequently, endeavors to connect concerns found in contemporary art with the objects, communication habits, and changing technologies in our daily lives. In that spirit, visitors and students will be encouraged to comment on the exhibition using telephone-friendly interfaces such as Twitter. |