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Ellis Island: Arriving

Julia Arstorp, Father and Three Sons, Archival Pigment Print, 16 x 20 in.

A Photographic Collaboration between Julia Arstorp and Leland Smith

Opening Reception: Wednesday, September 30, 2026 from 4:30pm - 6:00pm

2nd Floor Beacon Hall

The Ellis Island Immigration Hospital was once a place of arrival, hope, and new beginnings for immigrants entering the United States. Between 1902 and 1951 the hospital treated over 275,000 patients. Ellis Island itself operated from 1892 to 1954.

This collaborative project is an ode to the patients who passed through its halls and the enduring stories they carried. Drawn to its abandoned rooms, paint-peeled walls, and shadowed traces of lives left behind, two artists developed their distinct approaches.

Leland Smith’s photographs, rich in texture, color, and tone, suggest the wonder of a newly arrived immigrant's first glimpse of an unfamiliar world. Julia Arstorp’s black-and-white collages and diptychs turn toward memory by weaving narratives of the past to reveal the hospital’s symbolic presence.

Together, their complementary perspectives invite visitors to consider the Ellis Island Immigration Hospital not only as a place where people arrived, but also as a place where stories began and still remain.

Free and open to the public.

Beacon Hall, CT State Housatonic (900 Lafayette Blvd)

Jennifer Reynolds-Kaye
Director of the Housatonic Museum of Art
Published
September 12, 2026

Julia Arstorp

Julia Arstorp is a fine art photographer who examines memory, history, and the passage of time through her black-and-white imagery.  Drawing from research into historical photographs, letters, maps, and family archives, she creates layered imagery, including collage, diptychs, and assembled works, that explore the connections between past and present and how stories and experiences shift over generations.

 She exhibits her work in galleries and museums throughout the United States.

Leland Smith

Leland Smith is an award-winning photo-artist whose work spans an eclectic range of subjects — vast landscapes, graphic architecture, and intricate still lifes.  Stylistically, he utilizes subtle textures and unexpected color shifts to create moody compositions of monochromatic stillness and quiet color tonality.  His final images exhibit a contemplative feel that emphasizes the beauty of a subject rather than the mere documentation of reality.

He exhibits both nationally and internationally.

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