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Plastic Princess: BARBIE® as ART

Plastic Princess: BARBIE® as ART

June 22 - July 28, 2006, Opening Reception June 23, 6-8 pm

Please Note: The Gallery and building are closed Saturdays and Sundays in the summer.

Inside Barbie® An interview with the Plastic Princess
Press release

Barbie and Ken by Bob Kessel
Barbie & Ken by Bob Kessel

Artists included in this exhibit are:

Leika Akiyama
Kathleen Bitetti
Linda Carney-Goodrich
Crudo
Tom Forsythe
Joe Gibbons
Todd Haynes
Jeffrey P. Heyne
Gwendolyn Holbrow
Bob Kessel
Richard Leonard
Geney Levin
David Levinthal
Pia Schachter
Natalie Simon
Cynthia von Buhler

Pieces included in this exhibit...

Click on image to enlarge...


© Joe Gibbons

© Todd Haynes

© David Levinthal

© David Levinthal

© Jeffrey P. Heyne

© Cynthia von Buhler

© Tom Forsythe

© Gwendolyn Holbrow

© Pia Schachter

© Crudo

© Tom Forsythe

Press Release Archives


Inside Barbie ®

The “Plastic Princess” talks about her past, her future, and answers questions that reveal her innermost thoughts. Having lived almost half a century she has played an important role in the development of generations of women (shoppers) while, at the same time, she is merely a reflection of the cultural shifts of a nation. It is this duality of passiveness/aggressiveness that makes Barbie the vehicle of controversy.

Q. Barbie here you are almost 50 and still fabulous. You truly are the “queen of all media” with great market share: your television show, music career, video and computer games, not to mention your apparel line and home goods line? What’s left for you to do?

A.  Staying in the game is full-time job! I’ve got Bratz and Groovy Girls nipping at my heels! The competition is fierce! But you know what they say-- you’re only as good as your last success, so we’re always updating. For example, one consideration is to make my head bigger and my clothes hipper. To that end, we’re working with the latest designers to create a new look for me in order to target the same demographics (8-12 year olds) that Bratz has captured. I really have to keep my ear to the ground…and changing is what it’s all about, right? (Plastic smile)

Q. Can you tell us what really happened between you and Ken? After all those years together to suddenly leave him for Blaine? Do you think 43 years of togetherness should be tossed aside for a surfer dude? Was this some kind of “mid-life crisis” or just a publicity stunt?

A.  Look, it always hurts when one partner outgrows the other. I mean, how could it not? But the market is there and the market decides who stays and who goes—I mean that’s just business and business isn’t personal. He and I still play tennis when we can…(a small plastic pout). Over the years I’ve had to reinvent myself, and well, Ken just never kept up with me. Let me put it another way, accessories can date an outfit, and that’s how I came to feel about Ken over time. He was becoming a liability whereas Blaine can keep up with me. He understands and supports my vision and let’s face it, I can’t afford to toy with my business.

Q. Who is Barbie's hero?

A. I would have to say right now it’s George W. Bush. I mean, how can you not worship a man who spends billions every day to spread democracy. And heaven knows I love democracy. Barbie is democratic and my pricing reflects that. My mantra has always been “A Barbie for every hand!”

Q. What do you regard as the lowest depth of misery?

A. It’s always sad for me when parents can’t afford my dream house…I mean homelessness is not what Barbie is about….(slow shake of her head and her stiff blond hair)

Q. What do you most dislike?

A. Being misunderstood by cultural historians and anxious mothers.

Q. What is your motto?

A. I have two actually: Shopping is Power and I Shop Therefore I Am!

Q. If you had to sum up your life in a few sentences what would you say?

A. You can be rich and not be famous. You can be famous and not be rich. But to be rich, famous and plastic- it’s the American dream!

Interview with Barbie in April 2006


The Housatonic Museum of Art Presents

Plastic Princess: Barbie as Art

Bridgeport, CT—The Housatonic Museum of Art is pleased to host Plastic Princess:Barbie as Art, a traveling exhibition curated by Leonie Bradbury, Director of the Montserrat Gallery of Art at Montserrat College of Art in Beverly, Mass. The exhibit opens Friday, June 23 and continues through July 29th, 2006. An opening reception will be held Friday, June 23 from 6-8pm and the public is cordially invited to attend.

Plastic Princess: Barbie as Art is a multi-faceted exhibition that showcases visual and new media artists whose work features one of our most potent and long-lasting (pop-) cultural icons: Barbie®. It examines the impact of the so-called plastic princess on our culture within the contexts of feminism, gay culture, gender issues, and the use of a commercial symbol and product for purposes of artistic expression. Artists included are: Leika Akiyama, Kathleen Bitetti, Linda Carney-Goodrich, Crudo, Tom Forsythe, Joe Gibbons, Todd Haynes, Jeffrey P. Heyne, Gwendolyn Holbrow, Richard Leonard, Pia Schachter and Cynthia von Buhler. In addition, Robbin Zella, Director of the Housatonic Museum of art has included several national and local artists who also re-present Barbie in a variety of ways:  David Levinthal’s glamour shots of Barbie place her in the pantheon of such “living dolls” as Marilyn, Liz and Jackie O; Bob Kessel’s post-pop print transforms Barbie from an amiable airhead into an angry grrrl, and Natalie Simon’s black and white photos communicate that today’s Barbie is “mad as hell and isn’t gonna take it anymore.”

According to curator Leonie Bradbury, “Barbie is more than just a doll. People project their ideas and points of view onto her. When you start talking to [people] you get an understanding of how they view their world, how they treat their Barbie doll, it says a lot about their values.”

Audio-appropriation artist and founder of Detritus.net Steve Hise points to the appropriation or the “re-cycling of cultural icons” as another method of critical and political commentary. For Hise, “this is a self-conscious mode which uses the power of re-contextualization to make important statements — “cultural recycling” has the unique ability of turning the power and (often hidden) meaning of anoriginal text and its author(s) back upon itself... A bit like martial art: when you use the force of your attacker against him”.

But “recycling” Barbie in this day and age can also be costly and intimidating, especially if Mattel feels that Barbie has been defamed. Utah artist, Tom Forsythe, was sued by Mattel for copyright and trademark infringement in response to his “Food Chain Barbie” photography project. The District Court agreed with the Ninth Circuit court’s decision to uphold Forsythe’s freedom of speech and expression, and he received $2.1 million from the toy company.

Forsythe noted on his website statement that, “Mattel’s embarrassment might just send a wake up call to censorious corporate boards everywhere. At the very least, it will make it easier for artists who do get sued to find attorneys because they’re more likely to get paid at the end of the day.”

Forsythe’s art as well has his conflict with Mattel demonstrate the need to discuss open source issues and potential abuses of intellectual property laws in order to maintain our most basic freedom of speech. “We may be free to express ourselves, says Forsythe, “but if that expression involves offending a rapacious corporation, they’re equally free to sue; and unless we have the wherewithal to fight off high-powered attorneys, that’s where our free speech ends.”

Todd Haynes has also run afoul of Corporate America by using the music of Richard and Karen Carpenter as the soundtrack for his film Superstar: The Karen Carpenter Story, 1987. Haynes’ employment of Barbie dolls to dramatize the life of Karen Carpenter and her struggles with anorexia nervosa, which ultimately led to her death, critique a society that puts undue emphasis on youth, beauty and thinness and Barbie, in this context, is the symbol of ideal beauty.

Leonie Bradbury notes in her catalog essay that “Over the years, Barbie has been deconstructed, reconstructed, and loathed, but her impact is hard to ignore. Considering Barbie’s status as a cultural icon and her widespread influence, this examination of the Barbie phenomenon reflects only the tip of the iceberg of her influence on visual culture.” This exhibit brings together works of art that challenge, subvert, but also embrace Barbie—a powerful iconic image and a cultural force with which to be reckoned.

Standing On One Foot

Please Join Us ...

Standing on One Foot

Opening Reception Tuesday, September 12, 2006 4 - 6 pm

For directions visit the Housatonic Community College web site

Stanley Learner
A Is For.....

Please Join Us ...

Nov 15 Through Jan. 7

3rd Floor of Beacon Hall

Sculptural Installation by German sculptor Matthias Alfen

Invitation to Event

LOOKING FORWARD / LOOKING BACK

40th Anniversary Exhibition

LOOKING FORWARD
LOOKING BACK

Fortieth Anniversary Celebration

David  Kintzler
Mary  Kintzler
Vince  Baldassano
Tom  Anastasio
Barbara  Rothenberg
Alberta  Cifolelli
Burt  Chernow
Michelle  Mackey

Sharon  Greytak

 

RECEPTION FOR THE ARTISTS
MARCH 8, 2007
5:30 - 7:00 PM

The 40th anniversary of the founding of the Community College system in general, and Housatonic Community College and its galleries in particular, is a milestone that provides an ideal opportunity to reflect on and celebrate the rich contribution that the College and the Museum have made to the cultural life of Bridgeport, Fairfield County and the New England Region.

The 40th Anniversary Exhibition opens March 8 with a reception for the artists from 5:30 until 7:00 pm and remains on view through Sunday, March 25. Participating artists are Professor Emeritus David Kintzler and the late Burt Chernow, founder of the Housatonic Museum of Art, along with former faculty members Mary Kintzler, Vince Baldassano, Tom Anastasio, Barbara Rothenberg, Alberta Cifolelli, and Michele Mackey to exhibit.

Filmmaker and Housatonic Community College alumna Sharon Greytak will be screening her films.

Screening Times

March 9- 14
Noon- Weirded Out and Blown Away
7:00 pm- Losing It

March 15-20
Noon- The Love Lesson
7:00 pm- Hearing Voices

March 21- 25
Noon- The Love Lesson
7:00 pm- Weirded Out and Blown Away

ABOUT THE DIRECTOR
Sharon Greytak, independent filmmaker and HCC alumna, has written, produced and directed feature-length fiction films including Losing It, The Love Lesson, Hearing Voices, Weirded Out and Blown Away, Some Pleasure on the Level of the Source and Czechoslovakian Woman. She has been at the forefront of writing and directing films that address difficult subjects such as gay/lesbian themes, overcoming physical disabilities and producing independent films with complex story lines.

Most recently, Greytak's early short films were included in Tomorrowland: CalArts in Moving Pictures at MoMA which travels to the Pompidou Center in Paris next month. She is also a 2006 Anchor Award recipient from the University of Hartford. Currently she is preparing her next dramatic feature.

Sharon Greytak's work has been screened at the Museum of Modern Art in New York, Centre Georges Pompidou, Paris; the Film Society at Lincoln Center, East Village Cinema NYC, George Eastman House, Museum Fine Arts, Boston; REDCAT Hollywood; Anthology Film Archive, Margaret Mead Film Festival, Laemmle Theatres Los Angeles, American Cinamatheque at the Egyptian Theatre, Hollywood, Pacific Film Archive and numerous festivals abroad. She is the recipient of a CINE Golden Eagle and has won awards at Double Take Documentary Film Festival, Chicago International Film Festival, Black Maria, Athens and Houston International Film Festival. She was invited to participate in the American Film Institute's Directing Workshop for Women, and has received fellowships from New York State Council on the Arts, New York Foundation for the Arts, Soros Documentary Fund, Jerome Foundation, ArtsLink and the American Film Institute. She is a Yaddo and MacDowell Fellow. Her films are in the collection of MoMA, the New Museum of Contemporary Art, Open Society Archive: Budapest, and are distributed by Leisure Time Features and the Cinema Guild, NYC.

Weirded Out and Blown Away. 1986. USA. Directed by Sharon Greytak. Being
disabled presents many problems which are visible to the human eye, but what about
the social and personal relationships that disabled men and women deal with everyday? Filmmaker Sharon Greytak, who has rheumatoid arthritis and uses a motorized wheelchair, has made a frank video about these issues using herself and four other professionals from New York City and Los Angeles who offer insights into their lives as disabled individuals. Speaking bluntly and with humor, they discuss the victim/superhero stereotypes, perceptions of sexuality, vulnerability to crime, as well as the common ground shared by people without disabilities. 43 minutes.

Hearing Voices. 1990. USA. Directed by Sharon Greytak. Despite advice to the
contrary, a model (Erika Nagy) stricken with scoliosis refuses to increase her public visibility by advertising treatments for her disease. As she leaves her doctor's office, she meets the doctor's gay lover Lee (Stephen Gatta), and
they begin an affair. 87 minutes.

Losing It. 2000. USA. Directed by Sharon Greytak. The filmmaker travels to Siberia, Italy, Hong Kong, Brazil, and New York, interviewing people with disabilities. In English, Portuguese, Russian, and Italian with English subtitles.
90 minutes.

The Love Lesson. 1996. USA. Directed by Sharon Greytak. Seventeen years ago Camille made a verbal adoption agreement with Grace to care for her son. The only proviso was that Grace would continue to live nearby. She has secretly watched her son grow up but things change when she realizes he has contracted AIDS. 87 minutes.

Annual Opened Juried Show

Invitation to Opening Reception
Exhibit Runs June 22 through July 27

First Prize:
Deborah Wing-Sproul

Second Prize: Colleen Kiely

Honorable Mentions:
Joyce Audy Zarins • William Schott • Peter Konsterlie Gallery Hours:
8:30 am - 5:30 pm: Monday through Friday
Thursday evening until 7:00 pm
Closed Saturday & Sunday

Robbin Zella, Director (203) 332-5052
www.HousatonicMuseum.org

Opening Reception
Friday, June 22 5:30 - 7:30 pm

This event is free and the public is invited to attend.

Click on image to view larger...


Deborah Wing-Sproul
First Prize (still from video)


Deborah Wing-Sproul
First Prize (still from video)

William Schott
Honorable Mention

Rebecca Stern

Francine Funke

Susan Breen

Peter Konsterlie

Jeff Becker

Eden Reiner

Amber Maida

Yolanda Vasquez Petrocelli

Carol Foley

Diane Hoffman

Diane Hoffman

Colleen Kiely

Colleen Kiely

Buck Hastings

Suzanne Benton

Janine Brown

Lisa Oswald

Claudia Flynn

Joe Kitsch

Rembrandt: The Consummate Etcher and Other 17th Century Printmakers

Rembrandt

Through Sunday, October 28, 2007

Lecture October 11, 12:30 p.m. in the Burt Chernow Galleries - Metropolitan Museum of Art lecturer Dahn Hiuni will discuss “The Golden Age of Dutch Painting,” examining the cultural, political and economic structure that gave rise to these works as well as the stylistic innovations of the artists themselves. More...

Film Showing October 11, 7:00 p.m.

Rembrandt: The Consummate Etcher and other 17th century Printmakers will be on view at the Housatonic Museum of Art beginning Thursday, September 6 and continuing through Sunday, October 28, 2007. The exhibition has been organized by Syracuse University culled from works from the University's art collection. An opening reception will be held Thursday, September 6 from 5:30 until 7pm. Admission is free and the public is cordially invited to attend.

Rembrandt, long considered one of the most important masters in western art history, created just under 300 etchings during his lifetime. According to scholar Kahren Jones Arbitman, "Rembrandt's unsurpassed mastery of the medium [is] apparent in his technical innovations and his stylistic advancements." She goes on to say, "Rembrandt's genius as an etcher lies in his recognition that this medium responds best to the light touch of a draftsman, not the heavy hand of a printmaker. Using the etching needle like a pencil or paintbrush, he created lines which spontaneously flowed across his plates."

Domenic J. Iacono, curator of the exhibition, has organized the show thematically-landscapes, genre, portraits, and religious subjects -so that viewers will learn how Rembrandt and his contemporaries approached these themes and adapted their media to the subjects.

Rembrandt's command of this medium, combined with his skill as an artist to convey the narrative of his subject or scenes (Biblical, mythical or historical), keeps every generation entranced by his work.

Gallery hours are Monday through Friday: 8:30am through 5:30 pm. Thursdays until 7pm

Saturdays 9 until 3pm and Sundays Noon until 4pm. (Closed weekends during the summer).


Press Release Archive

MET REMBRANDT EXHIBITION SUBJECT OF 10/11 HCC TALK

BRIDGEPORT- The Metropolitan Museum of Art’s collection of Dutch paintings, including 20 by Rembrandt, will be the subject of a presentation at the Housatonic Museum of Art October 11.

Using works selected from the collection, Met lecturer Dahn Hiuni will discuss “The Golden Age of Dutch Painting,” examining the cultural, political and economic structure that gave rise to these works as well as the stylistic innovations of the artists themselves.

“This is a fascinating period of art history in Holland,” Hiuni said, “and Rembrandt is at the heart of it.”

The lecture is part of a series of cultural events celebrating the diversity of the Greater Bridgeport area that have been scheduled in conjunction with the Oct. 12 inauguration of new HCC President Anita T. Gliniecki.

For the first time ever, the Met is exhibiting its entire collection of 228 Dutch paintings, including 20 works by Rembrandt. The collection, which will be on exhibit through Jan. 6, is considered to be the greatest collection of Dutch Art outside Europe.

Housatonic is also hosting an exhibit of Dutch art, including works of Rembrandt. That exhibit, which runs through October 28, was organized by Syracuse University, with works culled from its art collection.

The talk will begin at 12:30 p.m. in the Burt Chernow Galleries at the college. The event is free and open to the public.

Gallery hours are Monday through Friday, 8:30 a.m. to 5:30 pm., Thursdays to 7 p.m.; Saturdays, 9 a.m. to 3 p.m.; and Sundays, Noon to 4 p.m.


BRIDGEPORT RESIDENT’S INNOVATIVE FILM TO BE SHOWN OCT 11 AT HCC

Dear Beautiful, an experimental animated film by Bridgeport filmmaker-painter Roland Becerra, will be shown October 11 at Housatonic Community College.

The film focuses on Paul and Lauren, a New Haven couple whose relationship is in trouble. Exotic flowers start springing up, spawning an epidemic that threatens to destroy the city.

Lauren becomes infected. As the city is engulfed with infected people, a media frenzy, National Guard troops, protesters, and a panicked populace, Paul struggles to save both their lives.

The film and accompanying reception is just one of numerous activities planned at the college Oct. 11 in connection with the Oct. 12 inauguration of new President Anita T. Gliniecki.

“The process I used in making the film combines both flash animation and stop-motion animation techniques,” Becerra said. “Backgrounds are hand painted and characters are drawn with ink.”

“Everything is then photographed and brought into the computer,” Becerra added. “Photographs of figures are also taken, then individually cut out and digitally altered in Photoshop to match the paintings and drawings.”

The event, which is free and open to the public, will take place at 7 p.m. in the Burt Chernow Galleries at the college. Gallery hours are Monday through Friday, 8:30 a.m. to 5:30 pm., Thursdays to 7 p.m.; Saturdays, 9 a.m. to 3 p.m.; and Sundays, Noon to 4 p.m.

Lineal Investigations

Roxy 2November 9 - December 21

Opening Reception:
November 9 • 5:30 - 7:00 pm

Gallery Hours:
Monday through Friday, 8:30 a.m. to 5:30 p.m.
Thursday evening until 7 p.m.
Saturday, 9 a.m. until 3 p.m.
Sunday, noon until 4 p.m.

Participating Artists:

Ron Abbe
Matthias Alfen
Linda Meiko Allen
Mohammed Bari
Suzanne Benton
David Borawski
Nancy Charak
Ann Chernow
Anna Daegele
Richard Deon
Kathy Desmond
Liz Dexheimer
Linda DiGusta
Nancy Doherty
Greg Edmondson
John Favret
Reiko Fujinami
Francine Funke
Leslie Giuliani
Connie Goldman
Rima Grad
Fred Hatt
Clarke Jackson
Paul Kaiser
Sarah Kernohan
Dominique Labauvie
Glenn LeVertu
Janet Luongo
Henry Mandell
Jane Miller
Arpie Gennetian Najarian
Agnes Novak
Janet Passehl
Susan Sharp
Suzan Shutan
Patricia Smith
Judith Steinberg
Jodi Strimiska
Melissa Tubbs
Rita Valley
Eric Von Arx
Mark Wiener
Tanya  Wolski-Kazak

CT Map
Illustrating CT Litchfield
Litchfield Hills

Nancy White Cassidy New Milford, Connecticut

"Shhh! You must be quiet!", 2007

Acrylic on panel, 18 x 24"
Collection of the artist

In 1995, the Connecticut General Assembly authorized the development of the Freedom Trail to recognize and honor the history of enslaved African-Americans. Slavery existed in America from the earliest colonial settlements until it was abolished by the passing of the Thirteenth Amendment to the United States Constitution, which was ratified in Connecticut on May 4, 1865.

The Underground Railroad emerged in response to the Fugitive Slave Act of 1703, which allowed for the capture and return of runaway slaves. This illustration was inspired by the escaped slaves of the Underground Railroad and the New Milford Quakers who assisted them. Although the artist’s setting and story is fictitious, it was based on actual events that occurred in her hometown. Nancy White Cassidy noted, "as part of my research, I participated in the Underground Railroad Walking Tour, which includes the Charles A. Sabin House on Lanesville Road and the Augustine A. Thayer House and the Elisha Bostwick House located on Grove Street, which served as sanctuaries for these brave people." The Connecticut Freedom Trail (www.ctfreedomtrail.com) lists the sites around the state that participated in the anti-slavery movement.



Robert Crawford Woodbury, Connecticut

Sugar Time, 2001

Acrylic on panel, 20 x 14"
Collection of the artist

Appearing on the cover of Yankee Magazine, Sugar Time celebrates maple syrup production in New England and the agricultural programs at Flanders Nature Center, Woodbury, Connecticut. Brian Allen, curator of American paintings at the Sterling and Clark Art Institute remarked, “maple sugar is a symbol of Yankee independence. This activity, called sugaring, signaled the end of winter with bonfires [and] music … and marked the community’s spirit of egalitarian union.”

Maple syrup features in the Iroquois Indian legend about Chief Woksis who left a pail of water for his wife beneath a maple tree before his daily hunt for food. Frustrated after several unsuccessful outings, he threw his tomahawk into the maple tree, pulling it out before setting out again. He returned that evening with a large deer, which his wife dressed and cooked. Remarking on the meat’s sweetness, the Chief realized that the bucket contained the maple syrup liquid that had trickled from the tree.



Etienne Delessert Lakeville, Connecticut

Salisbury Town Hall, 1987

Watercolor, 8 1/2 x 11"
Collection of the artist

Salisbury, Connecticut, incorporated in 1741, is located in the northwest corner of the state and includes the villages of Lakeville, Amesville, Lime Rock, and Taconic. Ethan Allen briefly operated an iron forge here before moving to Vermont to lead the Green Mountain Boys in a rebellion against New York over the disputed New Hampshire land grants. Allen and Benedict Arnold led the raid to capture Fort Ticonderoga in 1775, which was crucial to the colonies’ victory in the American Revolution. Allen was captured by the British during an attack on Montreal later that year and tried in England as a traitor and held as a prisoner of war. The British released him in 1778 and he resumed his political activities in Vermont.



Blaine Kruger New Haven, Connecticut

The Original Mad Hatter, 2007

Colored pencil and ink , 20 x 16"
Collection of the artist

Another highlight in Connecticut’s history was Zadoc Benedict’s hat factory, which opened in Danbury in 1780. The factory produced 18 fur hats of rabbit and beaver skins weekly, earning the town the title of hat capital of the world. The founder, Zadoc Benedict, was reputed to be insane, prompting the term, “mad as a hatter.” By 1800, Danbury was the hat manufacturing center in the United States, continuing Connecticut’s pattern of establishing factories in small villages rather than large industrial cities. By 1887, the town's 30 factories were turning out five million hats a year, and Hat City became its nickname. Danbury continued to be a national center for the production of hats until the beginning of the twentieth century when the industry declined.



© Housatonic Museum of Art • 900 Lafayette Boulevard • Bridgeport, CT 06604
email • 203.332.5052

CT Map
Illustrating CT Coastal Fairfield
Coastal Fairfield

Guy Billout Fairfield, Connecticut

Hedge Funds, 2006

Watercolor and airbrush, 10 x 8"
Collection of the artist

This drawing illustrated an article in Connecticut Magazine, November 2006, highlighting Greenwich as a leading financial center for hedge funds. Greenwich, one of the most affluent communities in the United States, hosts many hedge funds and other financial services companies that manage an estimated 10 percent of the $1.2 trillion hedge fund investments worldwide.



Miggs Burroughs Westport, Connecticut

Hi-Ho, 2006

The Merritt Parkway, completed in 1940, is one of the oldest parkways in the United States. The Hi-Ho Motel, located along the Fairfield stretch of highway, reminds us how the need for inexpensive accommodations for automobile travelers generated an entire industry.



Kinuko Craft Norfolk, Connecticut

The Mystical Helix, 1988

Lithograph, 17 x 21 ¾"
Collection of the artist

The first modern helicopter was designed by Igor Sikorsky (1889-1972) who pilots his steel tube, open-cockpit VS-300 in this piece commissioned by the Associated Aviation Underwriters to honor Sikorsky Aircraft. The experimental aircraft made its first flight on September 14, 1939, and by the summer of 1940, it could stay airborne for 15 minutes. In May 1942, a Sikorsky S-47 or XR-4 was the prototype for the first helicopter produced in quantity for the United States armed forces. The artist portrays Sikorsky over an Italian landscape in tribute to Leonardo da Vinci whose sketches of the first recorded design of a helicopter with a rotating helix inspired the inventor as a youth.



Thomas G. Fowler, (1943 - 2006) Westport, Connecticut

A Toast to the Millennium, 1999

Digital based on a pencil sketch, 15 ¾ x 27 ½"
Collection of Tom Fowler, Inc.

Connecticut is home to many world-class museums, performance groups, and art centers. Pilobolus is recognized as a major American dance company of international influence while the Long Wharf Theater and Hartford Stage are nationally-recognized, Tony-award-winning regional theaters. The Wadsworth Atheneum is the oldest public art museum in the nation, and the Housatonic Museum of Art is the guardian of the largest art collection of any two-year college in New England. The Connecticut Grand Opera & Orchestra, in Stamford, Connecticut, was founded in 1993. The organization fosters the appreciation of operatic and orchestral works through world-class performances and education and outreach programs. This festive poster for the opening of their 1999-2000 season presented something of a dilemma for designer Tom Fowler as the performance it promoted was not an opera per se but an event starring a number of opera greats singing highlights from the Connecticut Grand Opera & Orchestra’s past ten seasons. Typically, his concept would have featured a central character or scene from the production, however, this project required more of a general theme. He explained, "I just wanted to sort of say, ‘Uncorking the season,’ with bubbles and musical notes coming out of the bottle as the cork is popping."



Bernie Fuchs Westport, Connecticut

Red Barn, 2006

Oil on canvas, 26 x 18"
Collection of the artist

Barns, once a common feature of the Connecticut landscape, are fast disappearing due to neglect and development as farms have been transformed into subdivisions. The function and form of barns have evolved over time. Initially, English barns were erected to store grain and protect livestock. They began to be connected to the family home so work could be performed without having to battle the elements. Ventilated barns and tobacco sheds developed, and finally, the timber-frame structure emerged. The Industrial Revolution affected these structures as well, allowing for standardization, mail order catalog purchase, and easy construction.



Mark Hess Katonah, New York

Hot Suburbs, c. 1988

Acrylic on canvas, 16 x 12"
Collection of the artist

Mark Hess recalled his childhood in Greenwich, Connecticut, when he created this New York Magazine cover for their article on the great suburbs in the Tri-State area. Hess noted, the “idealized, simplified, and fun [image] was meant to entice and beautify the lovely features of suburbia in Connecticut.” The iconic stone walls that crisscross the New England landscape are cultural icons that remind us of pre-Industrial Revolution Connecticut with its abundant farms, slower pace, and simpler life.



Kathy Jakobsen Michigan; formerly Weston, Connecticut

Westport, 1998

Oil on canvas, 31 ½ x 25 ½"
Collection of Ann Sheffer and Bill Scheffler

Author, folk artist, and illustrator Kathy Jakobsen painted this illustration for the cover of Westport Magazine. She captured the spirit of the town in her original composition whose blank sky accommodated the magazine’s title as well as in the four corner pieces, which were added later. Westport and Weston have historically been, and continue to be, an enclave for artists drawn to the area’s cultural community and its proximity to New York City. The Westport Historical Society’s records confirm that from 1902 through 1940 more than 160 illustrators worked and lived in Westport alone. In addition, the Famous Artists Schools, founded by Albert Dorne along with Norman Rockwell in 1947, brought another wave of talented illustrators and artists who served on the school’s faculty.



Walter O. R. Korder (1891-1962) Hartford, Connecticut

Capture of Nathan Hale, c. 1940

Pencil, 12 x 15"
Friends Purchase Fund, 1975.74 LIC
Courtesy, New Britain Museum of American Art, New Britain, Connecticut

Nathan Hale (1755-76) was born in Coventry, Connecticut, and educated at Yale University. He was a school master before becoming the youngest officer in the Continental Army in 1775, serving as captain during the Revolutionary War. In 1776, he became America’s first spy when he volunteered at the request of General George Washington to cross enemy lines to gather information and to assess the strength of the British Army. He was caught while returning and hung without a trial. An account in a journal by Consider Tiffany, a Tory shopkeeper from Barkhamsted, Connecticut, relates how he was deceived into revealing his identity and mission: “The time being come, Captain Hale repaired to the place agreed on, where he met his pretended friend [British Loyalist, Major Robert Rogers], with three or four men of the same stamp, and after being refreshed, began [a]…conversation. But in the height of their conversation, a company of soldiers surrounded the house, and by orders from the commander, seized Captain Hale in an instant. But denying his name, and the business he came upon, he was ordered to New York. But before he was carried far, several persons knew him and called him by name; upon this he was hanged as a spy, some say, without being brought before a court martial.” The young hero’s last words were, “I only regret that I have but one life to lose for my country.” His patriotism earned him the distinction of State Hero by the Connecticut General Assembly in 1985.



© Housatonic Museum of Art • 900 Lafayette Boulevard • Bridgeport, CT 06604
email • 203.332.5052

CT Map
Illustrating CT River Valley
River Valley

H. H. Art Studios, Inc.

"1176 Miles in 76 Hours! Hartford’s Columbia gasoline touring car sets new record for Chicago-New York run,", 1947
G.Fox & Co. Centennial Anniversary
(Twenty-eighth in a series of advertisements on a century of Connecticut Living).

Drawing on paper, 13 ½ x 11"
Courtesy, The Connecticut Historical Society, Hartford, Connecticut

Another area of industry where Connecticut excelled was in bicycle manufacturing, and its spin-off, the earliest automobile manufacturing. Albert Pope of Hartford saw a bicycle in Philadelphia in 1876 and was immediately enthralled with the concept of an "ever-saddled horse that eats nothing and requires no care." He subsequently began the first bicycle manufacturing in America, Columbia Bicycles and set about marketing the vehicle, setting up a system of distributorships with fixed prices, hiring doctors to tout cycling as healthy exercise, and founding cycling magazines. The Pope Manufacturing Company was the forerunner of present day automobile corporations.


H. H. Art Studios, Inc.

"It’s Nice to know how far you go,", 1947
G. Fox & Co. Centennial Anniversary
(Thirty-sixth in a series of advertisements on a century of Connecticut Living)

Drawing on paper, 13 ½ x 11"
Courtesy, The Connecticut Historical Society, Hartford, Connecticut

Curtis H. Veeder (1862-1943), a draftsman at the Hartford Cycle Company, perfected compound differential gearing, facilitating the invention of the cyclometer that recorded the miles traveled on a bicycle. In 1895, he founded the Veeder Manufacturing Company and produced speedometers for automobiles. He expanded his business and partnered with the Charles Root Company to manufacture counters for machine-guns, jukeboxes, vending machines, and taxi meters as well as ammunition counters, walkie-talkies, high speed radar counters, and other specialized equipment. Their slogan, “Veeder-Root counters count everything on earth,” proved to be true!


Lonni Sue Johnson Cherry Valley, New York; formerly Sherman, Connecticut

Noah Webster’s Dictionary, 2007

Watercolor and gold paint, 7 ½ x 6"
Collection of the artist

Noah Webster (1758-1843), father of the modern dictionary, was born in 1758 in West Hartford, Connecticut. From 1801-28, he wrote An American Dictionary of the English Language to standardize American vocabulary, spelling, and pronunciation.


Bob Kessel Norwich, Connecticut

Olmsted Park, 2006

Ink jet on archival Somerset paper, 22 x 30"

Frederick Law Olmsted (1822-1903) was born in Hartford, Connecticut. A champion of the City Beautiful movement, he is recognized as the founder of American landscape architecture, designing with Calvert Vaux New York City’s Central Park and Prospect Park, Chicago’s Riverside subdivision, Buffalo’s park system, and the Niagara Reservation at Niagara Falls. Olmsted designed Connecticut’s Seaside and Beardsley Parks in Bridgeport, Walnut Hill Park in New Britain, Memorial Park in New London (one of only two cemeteries that he designed), and the Institute of Living in Hartford. He also made many sketches for the state Capitol in Hartford, which were never realized. Many other projects in the state were designed later by his sons through the Olmsted Brothers firm that he founded. In July 2005, the General Assembly passed a bill proclaiming April 26 of each year to be Frederick Law Olmsted Day to honor his betterment of American society through the creation of pastoral respites for all classes of people in crowded urban settings.


Walter O. R. Korder (1891-1962) Hartford, Connecticut

Andross Demands Connecticut Charter, c. 1940

Pencil, 12 x 15"
Friends Purchase Fund, 1945.84 LIC
Courtesy, New Britain Museum of American Art, New Britain, Connecticut

In 1662, King Charles II of England granted the Connecticut Colony a Royal Charter with liberal autonomy. His successor, King James II, asserted tighter control, and in 1687, overrode their rights by appointing Sir Edmund Andross, then governor of New York, as governor of the Dominion of New England. Andross demanded Connecticut relinquish the charter to him, threatening to split the state between Massachusetts and New York along the Connecticut River. He traveled from Boston to Hartford, and during a debate and scuffle at Butler’s Tavern, Captain Joseph Wadsworth with others snuck the charter from the room and hid it in an oak tree on Wyllys Hill. The Charter Oak is now celebrated as the state tree.

The Museum of Connecticut History displays a parchment that it regards as the original charter. (The Connecticut Historical Society is said to possess a "fragment" of it.) In addition, the ceremonial seat of the president of the Connecticut Senate is made from the oak tree, which was destroyed during a severe storm in 1856.


Barry Moser North Hatfield, Massachusetts

Mark Twain, 1985

Wood engraving, 12 x 10"
Courtesy, R. Michelson Galleries, Northampton, Massachusetts

Mark Twain (Samuel Langhorne Clemens, 1835-1910) lived in Hartford, Connecticut, from 1871-91, where he completed some of his most famous works, including The Adventures of Tom Sawyer, Life on the Mississippi, The Prince and the Pauper, A Connecticut Yankee in King Arthur’s Court, and Huckleberry Finn. He left the state to travel worldwide and to live in New York City, returning in 1908 to his "Stormfield" house in Redding, Connecticut, where he died in 1910. His Hartford Courant obituary claimed him as the city’s son, stating, "the feeling has never died out here that he belonged to Hartford, and this has been intensified by the fact that wherever any Hartford traveler went the first question asked of him was whether he knew Mark Twain."

Barry Moser created this frontispiece for the centenary edition of Huckleberry Finn published first by Pennyroyal Press in celebration of Samuel Langhorne Clemens.


Merle Nacht New Haven, Connecticut

Old State House, 1997

Pen, ink, and watercolor, 7 ¼ x 11 ¾"
Collection of the artist

The Old State House in Hartford, Connecticut, is the oldest state house in the United States, and served as the seat of state government until 1878. Completed in 1796, it was designed by Charles Bulfinch, the first architect to gain national prominence and the architect of the United States Capitol Building in Washington, DC. Throughout the 1790s, Hartford emerged from the post-Revolution depression as a stable center for commercial and social growth. Today the rich history of the Old State House remains a symbol of pride for Connecticut residents. On the site in 1637, the first written constitution guaranteeing the right to representative government was enacted by British colonists, earning the state its nickname, “The Constitution State.” In addition, the Old State House has welcomed many visitors, including Presidents Jackson, Monroe, Johnson, Ford, Carter, and Bush as well as Mark Twain, Charles Dickens, Samuel Colt, P. T. Barnum, and Harriet Beecher Stowe.


© Housatonic Museum of Art • 900 Lafayette Boulevard • Bridgeport, CT 06604
email • 203.332.5052

CT Map
Illustrating CT River Valley
Greater New Haven

Murray Tinkelman Cortlandt Manor, New York

Paulie and Mexico Reflecting, 1983

Click image to view larger

Pen and ink on Bristol board, 22 ½ x 18 ½”
Collection of the artist

Today’s rodeo has evolved from nineteenth-century competitions by cowboys in roundup camps to high-stakes events dominated by professional athletes in large arenas filled with cheering crowds with coverage by ESPN (Bristol, Connecticut). Rodeo’s roots can be traced to the horsemanship and roping traditions of the Spanish conquistadores. These skills, taught to American cowboys by the Spanish padres and vaqueros who dominated the American West before 1848, were valuable as the cattle business began to flourish and as an expanding cowboy population drove cattle to the bustling stockyards of fast-growing towns after the Civil War. The cowboy, however, was soon replaced by the “iron horse” with the completion of the transcontinental railroad in 1869. Out-of-work cowboys sought employment by entertaining spectators at rodeos and extravaganzas such as Buffalo Bill’s Wild West show. ESPN counts the National Finals Rodeo as one of its most popular programs attracting over 13 million viewers.

Tinkelman was commissioned by Equus Magazine to do an illustration of a cowboy and his Mustang horse. With a bit of sleuthing, he located Paulie Crotta of Bethany, Connecticut, a rodeo cowboy who specialized in Team Roping events and owned a Mustang named Mexico. The Crotta Ranch is still a hotbed of rodeo team roping and calf roping activity.


John Dykes Sudbury, Massachusetts; formerly Fairfield, Connecticut

O'Rourke’s Diner, 2001

Click image to view larger

Acrylic on board, 23 x 29"
Collection of the artist

John Dykes’ illustrations reveal his fascination with offbeat, quirky eateries and doughnut shops located in Connecticut. Of special interest are his depictions of diners in Fairfield and Middlesex counties. O'Rourke’s Diner (Middletown) is one of a series of six paintings created for Yankee Magazine, May 2001 issue, Best New England Diner Pageant. He depicted one diner for each of the six New England states.

The concept of diners originated in New England, evolving from lunch wagons that served sandwiches and pies to third shift workers beginning in 1872 in Providence, Rhode Island. These horse drawn wagons eventually became semi-permanent structures with styling based on the railroad's Pullman dining car. With the advent of Art-Deco design, these structures became sleeker and more modern, incorporating Naugahyde vinyl (made in Naugatuck) and metal tubing with gleaming Formica countertops. Initially, these dining wagons would follow workers to their places of employment like today's coffee trucks; over time they became established structures serving the residents of their communities as well as weary travelers looking for a hot, home cooked meal at reasonable prices.


Bill Thomson Southington, Connecticut

Blue-Blazed Hiking Trails, 2004

Acrylic with colored pencil, 37 x 28"
Collection of the artist

In 1929, the Connecticut Forest and Park Association Trails Committee under the guidance of Edgar L. Heermance created the Blue-Blazed Hiking Trail System that today extends over 700 miles. The Quinnipiac Trail was the first Blue-Blazed Trail, beginning at Mt. Carmel just above the entrance to Sleeping Giant Park. The original route wound through wooded and paved town roads, along an old Indian trail, and over traprock ridges, including Sleeping Giant, York Mountain, Mad Man's Hill, and Mt. Sanford.


Leslie Cober-Gentry Fairfield, Connecticut

The First Hamburger Comes from New Haven, Connecticut, 2007

Watercolor, colored pencils, India inks, and collage, 14 x 10 ½"
Collection of the artist

Louis’ Lunch sandwich shop on Crown Street in New Haven, Connecticut, served the first hamburger in the United States in 1895. Founder Louis Lassen sold steak sandwiches at his small lunch wagon and ground the excess beef to form patties served between two pieces of bread. The luncheonette is currently operated by third and fourth generations of the Lassen family who offer their burger specialties on toast with cheese, tomato, and onion, but ketchup or mustard is not provided.


Randall Enos Easton, Connecticut

Roast Meat Hill, c. 1980

Click image to view larger

Linocut, 8 x 8"
Collection of the artist

This illustration, featured in Connecticut’s Finest Magazine, depicts one of the accounts of the origin of the name of Roast Meat Hill Road in Killingworth, Connecticut. Thomas L. Lentz, founding member of the Killingworth Historical Society, relates in his book A Photographic History of Killingworth that a hay cart pulled by oxen was struck by lightening, igniting them both.


CT Map
Illustrating CT River Valley
Mystic Country

Brian Cronin Portugal; formerly New York City

Seven People from Connecticut, 2007

Carbon and charcoal on printing paper, 27 x 22"
Collection of the artist

Brian Cronin has selected a diverse group of people whose individual accomplishments and passions merge to create a single portrait of a Connecticut native replete with all the qualities and characteristics ascribed to the Connecticut "Yankee." Although she was driven from her hometown of Canterbury for educating young African-American women, Prudence Crandall (1803-1890) embodied the history of Yankee reform movements begun in 1800, including abolition, temperance, and women's rights and education. Samuel Colt (1814-1862) displayed Yankee ingenuity, starting out as an indentured servant on a Glastonbury farm, and through hard work and resourcefulness, amassed both fortune and fame by inventing the revolver and the repeating firearm. Anson Dickinson (1779-1852) of Milton practiced the art of portrait miniatures for his clients who were both celebrated and ordinary citizens. Miniatures were extremely popular before being supplanted by the new art of photography, and Dickinson, renowned in his own time, is largely forgotten. Born in Cheshire, Samuel Augustus Foote (1780-1846) served as Governor of Connecticut in 1834 and 1835. Henry Shelton Sanford (1823-1891) of Woodbury built his fortune manufacturing brass tacks, served as a Senator in the Connecticut Senate, was an American Diplomat, and founded the town of Sanford, Florida. During the Civil War, Sanford coordinated northern secret service operations, coordinated the purchase of supplies for the Union effort, and on behalf of Secretary of State William H. Steward, offered the Italian patriot Giuseppe Garibaldi a Union Command. Bristol native and Yankee soldier Austin David Thompson (no dates) enlisted in the Connecticut 16th Infantry on August 11, 1862. Promoted from private to corporal and then sergeant, he fought at Antietam, Edenton Road, Fredericksburg, and Providence Church Road, and was captured and held as a prisoner of war at Plymouth, North Carolina. Samson Occum (1723-1792) was an elected leader of the Mohegans, a Christian missionary, and a teacher. Although white society betrayed Occum by breaking promises about Native American land agreements, education, and community development, history has recognized his contributions. Acknowledged as the Father of Native American Literature, he founded Dartmouth College, and is revered to this day by the Brothertown Indian Nation and the Mohegan, Shinnecock, and Montauk people.


Kelloggs & Comstock

Steam Works of the Hayward Rubber Company, 1848-1850

Lithograph; printer’s ink on wove paper, 177/8; x 22"
Courtesy, The Connecticut Historical Society, Hartford, Connecticut

The Industrial Revolution coupled with the decline of the whaling business brought workers to Colchester, Connecticut. The population doubled with the opening of three tanneries and a woolen mill (1819), a hatter (1828), a wheel and carriage factory (1858), a paper mill (1869), a creamery (1886), and a canning company (1893). The Hayward Rubber Company was established in 1847 by Nathaniel Hayward who, with Charles Goodyear, discovered the process of vulcanized rubber. The company manufactured rubber boots and shoes that were shipped throughout the country until its close in 1893. This promotional print was published by Kelloggs & Comstock of Hartford who, from 1830 until the end of the century, was the second largest producer of decorative prints for the American market behind Currier and Ives.


Walter O. R. Korder (1891-1962) Hartford, Connecticut

New London’s Whaling Industry, c. 1940

Pencil, 12 x 15"
Friends Purchase Fund, 1975.80 LIC
Courtesy, New Britain Museum of American Art, New Britain, Connecticut

New London, Connecticut, founded in 1646 by John Winthrop, Jr., became an important port in Colonial America because of its protected harbor at the mouth of the Thames River, and it served as the base of American naval operations during the Revolutionary War. With its access to Long Island Sound, New London was America's third leading whaling port behind New Bedford and Nantucket, boasting over 30 ships and 900 whalers in 1834.


Walter O. R. Korder (1891-1962) Hartford, Connecticut

Simon Lake Builds Submarines, c. 1940

Pencil, 12 x 15"
Friends Purchase Fund, 1945.78 LIC
Courtesy, New Britain Museum of American Art, New Britain, Connecticut

American engineer and naval architect, Simon Lake (1866-1945) founded the Lake Torpedo Boat Company in Bridgeport, Connecticut, in 1912, and built 24 submarines for the U.S. Navy during and after World War I. Although Lake was born in New Jersey, he nevertheless exhibited Yankee ingenuity by obtaining over two hundred patents for advances in naval design and by competing with John Holland to build the first submarines for the United States Navy.


Ross MacDonald Newtown, Connecticut

Fox, 2004

Watercolor and pencil crayon, 12 x 18"
Collection of the artist

This illustration, which appeared on the cover of the Connecticut section of The New York Times in May 2004, brings to mind the story of Israel Putnam who killed the last wolf in Connecticut in December 1742. Putnam and other farmers pursued the wolf which had preyed on their sheep and goats, cornering it after an overnight chase in a den in Pomfret, Connecticut. Putnam, with a rope tied around his legs so he could be pulled to safety, crawled into the den and shot the wolf with his rifle. The wolf den is located in Wolf Den State Park in Pomfret. Putnam later distinguished himself at the Revolutionary War Battle of Bunker Hill in 1775.


Hal Mayforth Montpelier, Vermont

A Goin’ to Glory, 2003

Acrylic on wood panel, 24 x 20"
Collection of the artist

The sperm whale was selected as our state animal by the General Assembly in 1975 in recognition of the history of whaling in Connecticut and its present-day status as an endangered species. During the 1800s, Connecticut ranked second only to Massachusetts in the American whaling industry with numerous ports, including New London and Mystic. The sperm whale was the species most sought after for oil for lamps and other products.


Wendell Minor Washington, Connecticut

Trail Wood - Edwin Way Teale House, 2004

Watercolor , 10 ¾ x 7"
Collection of the artist

Edwin Way Teale (1899-1980) was one of the best-loved naturalists of his generation. As a writer, he has been ranked with Henry David Thoreau, John Muir, and John Burroughs. He was also an accomplished photographer who pioneered new techniques for creating close-up images of insects and other living things.

In 1959, he and his wife Nellie left the increasing suburbanization of their Long Island home for a 130-acre wooded estate in Hampton, Connecticut, which they named "Trail Wood." This became the subject of one of Teale’s most popular books, A Naturalist Buys an Old Farm (1974). Among Teale’s many other books are The Insect World of J. Henri Fabre (1949), North with the Spring (1951), Circle of the Seasons (1953), and Wandering Through Winter (1965), for which he won the Pulitzer Prize.

After Nellie Teale’s death in 1993, Trailwood passed to the Connecticut Audubon Society which maintains it as a public sanctuary and a memorial to two remarkable individuals and their appreciation for the natural world.

www.lib.uconn.edu/about/exhibits/carroll/ewteale


Christopher Passehl Essex, Connecticut

Benedict Arnold, 2007

Archival ink jet on Somerset velvet, 14 x 20 ½"
Collection of the artist

Benedict Arnold (1741-1801) is best known for his traitorous acts against General George Washington during the Revolutionary War. He was born in Norwich, Connecticut, into prominent New England families. With the failure of his father’s business ventures, he was withdrawn from school and apprenticed to an apothecary before establishing his own apothecary and shipping business in New Haven. His military career began with his service in the army during the French and Indian War. He served for the American cause during the Revolutionary War with some success that was tinged with failure and disreputable behavior. He felt embittered by his perceived lack of recognition by Congress and the Continental Army, and in 1780, plotted with the British to turn over the strategically-important West Point stronghold for a payment of 20,000 pounds. The plans collapsed when his British counterpart was captured and hung. Arnold sought refuge with British forces who appointed him a brigadier general, and he escaped to England after the war.


Garrett Price (1896-1979) Westport, Connecticut

Ivoryton Playhouse, c. 1951

Gouache on paper, 15 x 11 ½"
Gift of Mrs. Richard Lovelace, 1986.56 LIC
Courtesy, New Britain Museum of American Art, New Britain, Connecticut

The Ivoryton Playhouse, Ivoryton, Connecticut, was the first self-supporting summer theater in the nation, and was built as an employee recreation center by the Comstock-Cheney factory in 1908. Katherine Hepburn, Cliff Robertson, Marlon Brando, Helen Hayes, and Groucho Marx, to name a few, performed there. The playhouse continues to provide first-class, year-round theater programs.


Jeff Seaver Westport, Connecticut

Birdsong, 2003

Pen, ink, and colored pencil on Bristol board, 10 ¾ x 8 ¼"
Collection of the artist

The Audubon Society was founded over one hundred years ago to protect birds from hunters who sold their feathers for use on hats and clothes. Birdsong was commissioned by National Wildlife Magazine with the Audubon Society to encourage bird watching in Connecticut. Birds and wildlife continue to be threatened today by uncontrolled development that fragments or destroys their habitat.


© Housatonic Museum of Art • 900 Lafayette Boulevard • Bridgeport, CT 06604
email • 203.332.5052

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